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Indomitable Fast Crimson

#992a53
Notes

Indomitable Fast Crimson (#992A53) is a true magenta with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (338°, 57%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#992a53
RGB
rgb(153, 42, 83)
HSL
hsl(338, 57%, 38%)
HWB
hwb(338 16% 40%)
OKLCH
oklch(46.9% 0.150 2.5)
P3
color(display-p3 0.5527 0.1995 0.3243)
HSV
hsv(338, 73%, 60%)
LAB
lab(36.09% 48.81 2.33)
LCH
lch(36.09% 48.86 2.73)
CMYK
cmyk(0%, 73%, 46%, 40%)

Etymology

Indomitable
adjective

Latin indomitābilis, unconquerable — derived from domāre (to tame). As a color modifier, indomitable implies a saturated-and-unconquerable-and-fierce quality where the hue resists any attempt to subdue or modulate its presence. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant.

Fast
modifier

Old English fæst, abstinence-from-food. As a color modifier, fast implies a Lenten-and-fasting-and-restraint quality, the visual register of Roman-Catholic-and-Eastern-Orthodox-Fast Lenten-and-Ramadan-fasting religious-fast-and-restraint austere surfaces under fasting-and-restraint austere ecclesiastical light. Sits at the modifier-and-time end of the grid, parallel to lent and vigil in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#992a53
Original
#424754
Protanopia
#605d50
Deuteranopia
#a6183b
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.81:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##992A53
Display P3
Display P3
color(display-p3 0.5527 0.1995 0.3243)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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