Solid Kin violet

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Old English cynn, kindred. As a color modifier, kin implies a blood-relative-and-extended-family quality, the visual register of pre-modern-English-and-Anglo-Saxon hand-built family-hearth-and-meadhall-and-grandfather-clock blood-relation surfaces under Anglo-Saxon-and-pre-modern-English family-hearth-and-meadhall household firelight. Sits at the modifier-and-cultural end of the grid, parallel to clan and tribe in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.