Velvety Swoop Violet

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old English swāpan, to-sweep-down. As a color modifier, swoop implies a fast-descending-and-arcing-down quality, the visual register of peregrine-falcon-and-stooping-hawk-swoop hand-fast-descending-and-arcing-down peregrine-falcon-and-stooping-hawk-and-eagle swooped-and-fast-descending-and-arcing-down surfaces under peregrine-falcon-and-stooping-hawk-and-eagle cliff-face-and-moorland-and-open-sky raptor-stoop-light. Sits at the modifier-and-mood end of the grid, parallel to flit and glide in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.