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Refreshing Pisces Mint

#97f3d8
Notes

Refreshing Pisces Mint (#97F3D8) is a soft teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (162°, 79%, 77%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#97f3d8
RGB
rgb(151, 243, 216)
HSL
hsl(162, 79%, 77%)
HWB
hwb(162 59% 5%)
OKLCH
oklch(89.9% 0.096 173.4)
P3
color(display-p3 0.6753 0.9438 0.8518)
HSV
hsv(162, 38%, 95%)
LAB
lab(89.69% -33.41 4.39)
LCH
lch(89.69% 33.70 172.51)
CMYK
cmyk(38%, 0%, 11%, 5%)

Etymology

Refreshing
adjective

Old French refreschir, to make fresh again — present-participle of refresh. As a color modifier, refreshing implies a clear-and-cool-and-revitalizing quality, the crisp color of Cornish-coast and Hebridean-island fresh-sea-air-and-cool-water revitalization. Sits at the crisp-and-cool end of the grid, parallel to fresh and bracing in usage.

Pisces
modifier

Latin pisces, fishes-of-the-zodiac. As a color modifier, pisces implies a two-fishes-and-water-sign-and-Jupiter-Neptune-ruled-mutable-water quality, the visual register of Hellenic-Pisces-and-Aphrodite-Eros-fishes hand-two-fishes-and-water-sign-and-Jupiter-Neptune-ruled-mutable-water Hellenic-Pisces-and-Aphrodite-Eros-fishes-and-Ichthys pisces-and-two-fishes-and-water-sign surfaces under Hellenic-Pisces-and-Aphrodite-Eros-fishes-and-Ichthys late-winter-and-February-and-March-into-April mutable-water-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to aquarius and aries in usage.

Mint
noun

The genus Mentha — peppermint, spearmint, apple mint, water mint — the cooling herb whose menthol gives it that quality at the molecular level. The color refers to fresh peppermint leaves before drying: a clean, slightly cool green with the matte finish of trichome-rich leaf surface. Lighter than basil, cooler than parsley, with the mojito-and-Pimm's association of a herb tied to summer drinks across two continents.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#97f3d8
Original
#ede8d7
Protanopia
#deddda
Deuteranopia
#7bf5eb
Tritanopia
#dddddd
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.30:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
16.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##97F3D8
Display P3
Display P3
color(display-p3 0.6753 0.9438 0.8518)
P3 has subtle headroomOKLCH chroma 0.096

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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