colors
Back to gallery

Stamped Ruff Lagoon

#97e2f6
Notes

Stamped Ruff Lagoon (#97E2F6) is a soft cyan with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (193°, 84%, 78%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#97e2f6
RGB
rgb(151, 226, 246)
HSL
hsl(193, 84%, 78%)
HWB
hwb(193 59% 4%)
OKLCH
oklch(87.1% 0.079 216.4)
P3
color(display-p3 0.6573 0.8785 0.9544)
HSV
hsv(193, 39%, 96%)
LAB
lab(85.82% -18.24 -17.06)
LCH
lch(85.82% 24.97 223.08)
CMYK
cmyk(39%, 8%, 0%, 4%)

Etymology

Stamped
adjective

Old English stempan, to stamp — past-participle of stamp. As a color modifier, stamped implies a clear-and-impressed-and-repeating quality, the crisp color of William-Morris-and-Liberty-of-London block-printed-textile carefully-impressed pattern. Sits at the crisp-and-printed end of the grid, parallel to printed and engraved in usage.

Ruff
modifier

Old English ruffe, Elizabethan-pleated-collar. As a color modifier, ruff implies a starched-and-Elizabethan-pleated-collar quality, the visual register of Elizabethan-and-Spanish-Habsburg-ruff hand-starched-and-Elizabethan-pleated-collar Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait ruff-and-starched-and-Elizabethan-pleated-collar surfaces under Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait Tudor-and-Spanish-Habsburg-court starched-collar-light. Sits at the modifier-and-textile end of the grid, parallel to gown and frock in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#97e2f6
Original
#d4ddf7
Protanopia
#c5d2f6
Deuteranopia
#71eae8
Tritanopia
#d3d3d3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.45:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##97E2F6
Display P3
Display P3
color(display-p3 0.6573 0.8785 0.9544)
Inside sRGBOKLCH chroma 0.079

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

Related Colors

Canvas