Utilitarian Isis Verdigris

Latin ūtilitās, usefulness — adjectival suffix -ian. As a color modifier, utilitarian implies a clear-and-purpose-fit-and-stripped-down quality, the crisp color of Shaker-and-Quaker anti-ornamental functional-and-no-frills craft tradition. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

Egyptian Aset, throne-and-mother-goddess. As a color modifier, isis implies a winged-and-throne-and-mother-goddess quality, the visual register of Egyptian-Isis-and-Philae-temple hand-winged-and-throne-and-mother-goddess Egyptian-Isis-and-Philae-temple-and-Osirian-myth isis-and-winged-and-throne-and-mother-goddess surfaces under Egyptian-Isis-and-Philae-temple-and-Osirian-myth Nile-and-Philae-Aswan-temple winged-throne-light. Sits at the modifier-and-myth end of the grid, parallel to horus and thoth in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.