Sylphine Lilac
Sylphine Lilac (#978FAA) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (258°, 14%, 61%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek sýlphē, air-spirit — adjectival suffix -ine, derived from sylph (an air-elemental in alchemical-cosmology). As a color modifier, sylphine implies a pale-and-airy-and-spirit-thin quality, the pale color of Pre-Raphaelite-and-Symbolist-painting air-spirit-and-ethereal-figure soft-light-and-airy iconography. Sits at the pale-and-ethereal end of the grid, parallel to fairylike and elfin in usage.
Syringa vulgaris, the Balkan-native shrub whose pale purple panicles perfume European gardens in May. The Persian nilak, bluish, became the Arabic līlak and then the Spanish lila before reaching English in the seventeenth century. The color refers to a fresh lilac flower cluster: a soft, slightly muted pale purple with the matte finish of densely packed four-petaled florets. Lighter than mauve, cooler than orchid.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.