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Opulent Suo

#972477
Notes

Opulent Suo (#972477) is a true magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (317°, 61%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#972477
RGB
rgb(151, 36, 119)
HSL
hsl(317, 61%, 37%)
HWB
hwb(317 14% 41%)
OKLCH
oklch(47.4% 0.173 341.6)
P3
color(display-p3 0.5446 0.1804 0.4548)
HSV
hsv(317, 76%, 59%)
LAB
lab(36.32% 54.67 -20.25)
LCH
lch(36.32% 58.30 339.68)
CMYK
cmyk(0%, 76%, 21%, 41%)

Etymology

Opulent
adjective

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Suo
noun

Japanese 蘇芳, sappan-wood dye (Caesalpinia sappan) — derived from a Southeast Asian tree's heartwood, imported to Japan since the Nara period (710–794) for dyeing court robes a deep red-purple. Suo color refers to a suo-dyed Heian-period silk kinu: a saturated, slightly cool deep magenta with the silk luster of multi-bath sappan-wood dye on tussah silk. Distinct from akane (madder) and beni (safflower).

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#972477
Original
#2f4a79
Protanopia
#535c74
Deuteranopia
#a1264b
Tritanopia
#424242
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.83:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##972477
Display P3
Display P3
color(display-p3 0.5446 0.1804 0.4548)
P3 has subtle headroomOKLCH chroma 0.173

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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