Heavy Quad violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Latin quadrum, square. As a color modifier, quad implies an Oxford-and-Cambridge-college-quadrangle quality, the visual register of Oxford-and-Cambridge-college-quad hand-built four-sided-college-courtyard quad-and-cloister-and-lawn architectural surfaces under Oxford-and-Cambridge college-quadrangle academic light. Sits at the modifier-and-architecture end of the grid, parallel to court and atrium in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.