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Sumptuous Tatra

#9659f1
Notes

Sumptuous Tatra (#9659F1) is a true indigo with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (264°, 84%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9659f1
RGB
rgb(150, 89, 241)
HSL
hsl(264, 84%, 65%)
HWB
hwb(264 35% 5%)
OKLCH
oklch(60.9% 0.218 298.1)
P3
color(display-p3 0.5550 0.3603 0.9130)
HSV
hsv(264, 63%, 95%)
LAB
lab(51.81% 55.62 -67.50)
LCH
lch(51.81% 87.46 309.49)
CMYK
cmyk(38%, 63%, 0%, 5%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Tatra
noun

Carpathian high-mountain range straddling Poland and Slovakia — its alpine tatran peaks above 2,000m support some of Europe's last Soldanella alpina and Gentiana clusii deep-violet alpine flora. Tatra color refers to a Soldanella alpina corolla on a High Tatras alpine ledge: a saturated, slightly cool deep violet with the velvet finish of fresh alpine snowbell petal under high-altitude light.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9659f1
Original
#007cf6
Protanopia
#007aee
Deuteranopia
#817b9d
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9659F1
Display P3
Display P3
color(display-p3 0.5550 0.3603 0.9130)
P3 has visible headroomOKLCH chroma 0.218

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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