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Dominant Pater Violet

#9649ed
Notes

Dominant Pater Violet (#9649ED) is a true indigo with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (268°, 82%, 61%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9649ed
RGB
rgb(150, 73, 237)
HSL
hsl(268, 82%, 61%)
HWB
hwb(268 29% 7%)
OKLCH
oklch(58.6% 0.233 300.8)
P3
color(display-p3 0.5494 0.3026 0.8968)
HSV
hsv(268, 69%, 93%)
LAB
lab(48.71% 62.41 -70.28)
LCH
lch(48.71% 93.99 311.60)
CMYK
cmyk(37%, 69%, 0%, 7%)

Etymology

Dominant
adjective

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Pater
modifier

Latin pater, father. As a color modifier, pater implies a Latin-father-and-paterfamilias-and-Pater-Noster quality, the visual register of Pater-Noster-and-Roman-paterfamilias hand-Latin-father-and-paterfamilias-and-Pater-Noster Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer pater-and-Latin-father surfaces under Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer Roman-Senate-and-Catholic-liturgy paterfamilias-light. Sits at the modifier-and-Latin end of the grid, parallel to mater and dux in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9649ed
Original
#0073f2
Protanopia
#0073ea
Deuteranopia
#837096
Tritanopia
#656565
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.70:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9649ED
Display P3
Display P3
color(display-p3 0.5494 0.3026 0.8968)
P3 has visible headroomOKLCH chroma 0.233

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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