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Solid Pulsar Crimson

#961c44
Notes

Solid Pulsar Crimson (#961C44) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (340°, 69%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#961c44
RGB
rgb(150, 28, 68)
HSL
hsl(340, 69%, 35%)
HWB
hwb(340 11% 41%)
OKLCH
oklch(44.6% 0.158 7.6)
P3
color(display-p3 0.5400 0.1574 0.2687)
HSV
hsv(340, 81%, 59%)
LAB
lab(33.42% 51.27 8.18)
LCH
lch(33.42% 51.92 9.06)
CMYK
cmyk(0%, 81%, 55%, 41%)

Etymology

Solid
adjective

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Pulsar
modifier

Coined 1968, pulsating-radio-star. As a color modifier, pulsar implies a rotating-neutron-star-and-pulse-beam quality, the visual register of Crab-pulsar-and-Vela-pulsar hand-rotating-neutron-star-and-pulse-beam Crab-pulsar-and-Vela-and-PSR-1919 pulsar-and-rotating-neutron-star-and-pulse-beam surfaces under Crab-pulsar-and-Vela-and-PSR-1919 millisecond-and-radio-and-X-ray neutron-star-light. Sits at the modifier-and-cosmic end of the grid, parallel to nova and mira in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#961c44
Original
#3d3f45
Protanopia
#5d5741
Deuteranopia
#a4002e
Tritanopia
#393939
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.55:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##961C44
Display P3
Display P3
color(display-p3 0.5400 0.1574 0.2687)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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