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Bridled Zhusha

#947c7f
Notes

Bridled Zhusha (#947C7F) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (353°, 10%, 53%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#947c7f
RGB
rgb(148, 124, 127)
HSL
hsl(353, 10%, 53%)
HWB
hwb(353 49% 42%)
OKLCH
oklch(61.0% 0.030 9.5)
P3
color(display-p3 0.5651 0.4898 0.4988)
HSV
hsv(353, 16%, 58%)
LAB
lab(54.29% 9.75 1.82)
LCH
lch(54.29% 9.92 10.59)
CMYK
cmyk(0%, 16%, 14%, 42%)

Etymology

Bridled
adjective

Old English brigdel, bridle — past-participle of bridle. As a color modifier, bridled implies a hushed-and-restrained-and-controlled quality where the hue carries the visual register of intentionally-controlled-and-restrained color-amplitude limitation. Sits at the hushed-and-restrained end of the grid, parallel to curbed and restrained in usage.

Zhusha
noun

The Chinese name for cinnabar — mercury sulfide — ground into the imperial-seal pigment used in Chinese painting, lacquerware, and the carved cinnabar-lacquer ornaments of the Ming dynasty. The color refers to a freshly stamped zhusha seal on rice paper: a saturated, slightly orange red with the matte finish of fine mineral pigment. Cooler than vermillion, brighter than crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#947c7f
Original
#7f7f7f
Protanopia
#85837f
Deuteranopia
#997a7d
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.85:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##947C7F
Display P3
Display P3
color(display-p3 0.5651 0.4898 0.4988)
Inside sRGBOKLCH chroma 0.030

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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