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Settled Salvia

#928fb1
Notes

Settled Salvia (#928FB1) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (245°, 18%, 63%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#928fb1
RGB
rgb(146, 143, 177)
HSL
hsl(245, 18%, 63%)
HWB
hwb(245 56% 31%)
OKLCH
oklch(66.4% 0.050 289.0)
P3
color(display-p3 0.5705 0.5612 0.6837)
HSV
hsv(245, 19%, 69%)
LAB
lab(60.72% 8.26 -17.37)
LCH
lch(60.72% 19.24 295.44)
CMYK
cmyk(18%, 19%, 0%, 31%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Salvia
noun

The genus Salvia — the sages of the kitchen and ornamental sages of the garden — over 900 species, many with vivid blue-violet flower spikes that distinguish ornamental cultivars from culinary forms. The color refers to a fresh Salvia farinacea (mealy-cup sage) spike: a saturated, slightly violet-shifted blue with the matte finish of small lipped flowers along a single stem. Cooler than veronica, warmer than larkspur.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#928fb1
Original
#8793b3
Protanopia
#8792b0
Deuteranopia
#8c949a
Tritanopia
#929292
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.09:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.79:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##928FB1
Display P3
Display P3
color(display-p3 0.5705 0.5612 0.6837)
Inside sRGBOKLCH chroma 0.050

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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