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Settled Tao Mint

#91fdd4
Notes

Settled Tao Mint (#91FDD4) is a soft teal with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (157°, 96%, 78%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#91fdd4
RGB
rgb(145, 253, 212)
HSL
hsl(157, 96%, 78%)
HWB
hwb(157 57% 1%)
OKLCH
oklch(91.8% 0.116 167.3)
P3
color(display-p3 0.6706 0.9818 0.8409)
HSV
hsv(157, 43%, 99%)
LAB
lab(92.14% -40.37 9.96)
LCH
lch(92.14% 41.58 166.14)
CMYK
cmyk(43%, 0%, 16%, 1%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Tao
modifier

Chinese 道, the-Way. As a color modifier, tao implies a Daoist-and-naturalistic quality, the visual register of Chinese-Daoist-Wǔdāng-Mountain Daoist hand-built rock-and-pine-tree-and-incense-burner mountain-temple surfaces under Wǔdāng-Mountain-and-Mount-Hua Daoist-mountain-temple mist-and-pine light. Sits at the modifier-and-cultural end of the grid, parallel to zen and sufi in usage.

Mint
noun

The genus Mentha — peppermint, spearmint, apple mint, water mint — the cooling herb whose menthol gives it that quality at the molecular level. The color refers to fresh peppermint leaves before drying: a clean, slightly cool green with the matte finish of trichome-rich leaf surface. Lighter than basil, cooler than parsley, with the mojito-and-Pimm's association of a herb tied to summer drinks across two continents.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#91fdd4
Original
#f8f0d2
Protanopia
#e7e3d7
Deuteranopia
#70fef1
Tritanopia
#e3e3e3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.22:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
17.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##91FDD4
Display P3
Display P3
color(display-p3 0.6706 0.9818 0.8409)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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