Conquering Hermes violet

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Greek Ἑρμῆς, messenger-of-the-Olympian-gods. As a color modifier, hermes implies a winged-sandal-and-caduceus-and-messenger quality, the visual register of Praxiteles-Hermes-and-Olympia-marble hand-winged-sandal-and-caduceus-and-messenger Praxiteles-Hermes-and-Olympia-marble-and-Hellenistic-bronze hermes-and-winged-sandal-and-caduceus surfaces under Praxiteles-Hermes-and-Olympia-marble-and-Hellenistic-bronze Olympian-pantheon-and-marketplace Mediterranean-marble-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and atlas in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.