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Methodical Mope Sky

#8dc9e9
Notes

Methodical Mope Sky (#8DC9E9) is a soft azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (201°, 68%, 73%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#8dc9e9
RGB
rgb(141, 201, 233)
HSL
hsl(201, 68%, 73%)
HWB
hwb(201 55% 9%)
OKLCH
oklch(80.6% 0.076 232.2)
P3
color(display-p3 0.6036 0.7819 0.9007)
HSV
hsv(201, 39%, 91%)
LAB
lab(78.06% -11.25 -21.92)
LCH
lch(78.06% 24.63 242.83)
CMYK
cmyk(39%, 14%, 0%, 9%)

Etymology

Methodical
adjective

Greek méthodos, systematic-procedure — adjectival suffix -al. As a color modifier, methodical implies a clear-and-systematic-and-step-by-step quality where the hue carries the visual register of careful-procedure-followed design-element. Sits at the crisp-and-orderly end of the grid, parallel to orderly and organized in usage.

Mope
modifier

Origin obscure, attested c. 1568, to-be-listless-and-dejected. As a color modifier, mope implies a listless-and-dejected-and-slumped quality, the visual register of Victorian-melancholy-and-rainy-Sunday-mope hand-listless-and-dejected-and-slumped Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon moped-and-listless-and-dejected-and-slumped surfaces under Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon dripping-eaves-and-grey-window slumped-window-seat-light. Sits at the modifier-and-mood end of the grid, parallel to brood and sigh in usage.

Sky
noun

The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#8dc9e9
Original
#bac7eb
Protanopia
#acbde9
Deuteranopia
#6ad2d3
Tritanopia
#bfbfbf
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.80:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.66:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##8DC9E9
Display P3
Display P3
color(display-p3 0.6036 0.7819 0.9007)
Inside sRGBOKLCH chroma 0.076

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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