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Heavy Sparta Tanzanite

#8a26a9
Notes

Heavy Sparta Tanzanite (#8A26A9) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (286°, 63%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#8a26a9
RGB
rgb(138, 38, 169)
HSL
hsl(286, 63%, 41%)
HWB
hwb(286 15% 34%)
OKLCH
oklch(48.5% 0.203 316.6)
P3
color(display-p3 0.4983 0.1799 0.6398)
HSV
hsv(286, 78%, 66%)
LAB
lab(37.22% 59.52 -49.58)
LCH
lch(37.22% 77.47 320.20)
CMYK
cmyk(18%, 78%, 0%, 34%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Sparta
modifier

Greek Σπάρτη, Sparta. As a color modifier, sparta implies a Lacedaemonian-and-warrior-city-state quality, the visual register of Spartan-Lacedaemonian-City-State hand-built bronze-armor-and-crimson-tunic-and-stone-temple Doric-warrior-state surfaces under Lacedaemonian-Sparta-and-Eurotas-Valley Doric-warrior-state Greek-Peloponnese light. Sits at the modifier-and-cultural end of the grid, parallel to athens and roman in usage.

Tanzanite
noun

A blue-violet variety of zoisite — discovered in 1967 in a single small area of northern Tanzania near Mount Kilimanjaro and marketed by Tiffany & Co. shortly after. The color refers to a faceted tanzanite cut to maximize its strong pleochroism: a saturated, slightly violet-shifted deep blue-purple with the gem's signature internal life. Cooler than amethyst, warmer than iolite, with the gem-trade specificity of a stone that occurs in exactly one place on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#8a26a9
Original
#0052ad
Protanopia
#265aa6
Deuteranopia
#884367
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.17:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##8A26A9
Display P3
Display P3
color(display-p3 0.4983 0.1799 0.6398)
P3 has visible headroomOKLCH chroma 0.203

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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