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Lurid Unda Peridot

#88ee93
Notes

Lurid Unda Peridot (#88EE93) is a soft green with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (126°, 75%, 73%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#88ee93
RGB
rgb(136, 238, 147)
HSL
hsl(126, 75%, 73%)
HWB
hwb(126 53% 7%)
OKLCH
oklch(86.5% 0.157 146.5)
P3
color(display-p3 0.6297 0.9235 0.6112)
HSV
hsv(126, 43%, 93%)
LAB
lab(86.25% -48.19 35.00)
LCH
lch(86.25% 59.56 144.01)
CMYK
cmyk(43%, 0%, 38%, 7%)

Etymology

Lurid
adjective

Latin lūridus, pale-yellow / sickly — sharing root with lūror (yellowish-pallor). As a color modifier, lurid implies a saturated-and-shocking-and-sickly-bright quality, the bright color of Penny-Dreadful-and-Pulp-Fiction sensational-cover-art bright-and-pulpy printing. Sits at the bright-and-shocking end of the grid, parallel to garish and gaudy in usage.

Unda
modifier

Latin unda, wave-or-water. As a color modifier, unda implies a Latin-wave-and-water-and-Roman-aqueduct quality, the visual register of Roman-aqueduct-and-Pontine-marsh-unda hand-Latin-wave-and-water-and-Roman-aqueduct Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow unda-and-Latin-wave-and-water surfaces under Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow Aqua-Claudia-and-Aqua-Marcia Roman-water-light. Sits at the modifier-and-Latin end of the grid, parallel to via and arbor in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#88ee93
Original
#f1de8d
Protanopia
#e2d499
Deuteranopia
#79ead7
Tritanopia
#d2d2d2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.70:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##88EE93
Display P3
Display P3
color(display-p3 0.6297 0.9235 0.6112)
P3 has subtle headroomOKLCH chroma 0.157

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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