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Booming Sumi

#8765ff
Notes

Booming Sumi (#8765FF) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (253°, 100%, 70%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#8765ff
RGB
rgb(135, 101, 255)
HSL
hsl(253, 100%, 70%)
HWB
hwb(253 40% 0%)
OKLCH
oklch(62.2% 0.218 288.6)
P3
color(display-p3 0.5089 0.4014 0.9659)
HSV
hsv(253, 60%, 100%)
LAB
lab(53.68% 49.96 -72.33)
LCH
lch(53.68% 87.91 304.63)
CMYK
cmyk(47%, 60%, 0%, 0%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#8765ff
Original
#0084ff
Protanopia
#007cfc
Deuteranopia
#5f89a9
Tritanopia
#777777
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.34:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##8765FF
Display P3
Display P3
color(display-p3 0.5089 0.4014 0.9659)
P3 has visible headroomOKLCH chroma 0.218

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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