Chivalrous Rime violet

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Old English hrīm, hoar-frost-on-twigs. As a color modifier, rime implies a feathered-frost-and-fog-deposited quality, the visual register of Scottish-Highland-and-Cairngorm-rime hand-feathered-frost-and-fog-deposited Scottish-Highland-and-Cairngorm-rime-and-Pennine-cap rime-and-feathered-frost-and-fog-deposited surfaces under Scottish-Highland-and-Cairngorm-rime-and-Pennine-cap Cairngorm-Highlands-and-Scottish-Munro-and-Pennine-cap freezing-fog-light. Sits at the modifier-and-weather end of the grid, parallel to hoar and sleet in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.