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Lavish Kyomurasaki

#855bc7
Notes

Lavish Kyomurasaki (#855BC7) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (263°, 49%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#855bc7
RGB
rgb(133, 91, 199)
HSL
hsl(263, 49%, 57%)
HWB
hwb(263 36% 22%)
OKLCH
oklch(56.6% 0.163 299.1)
P3
color(display-p3 0.4972 0.3639 0.7558)
HSV
hsv(263, 54%, 78%)
LAB
lab(47.74% 40.05 -50.32)
LCH
lch(47.74% 64.31 308.52)
CMYK
cmyk(33%, 54%, 0%, 22%)

Etymology

Lavish
adjective

Old French lavasse, downpour — sharing root with laver (to wash). As a color modifier, lavish implies a saturated-and-extravagant quality where the hue spills over its visual boundaries with luxurious pigmentation. Sits at the bold-and-saturated end of the grid, parallel to opulent and sumptuous in usage.

Kyomurasaki
noun

Kyoto purple (京紫) — the warmer red-tinted purple of the Heian-period imperial court at Kyoto, distinguished from the cooler Edo-period edomurasaki. Kyomurasaki color refers to a Kyoto-court ceremonial kariginu hunting robe: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root-and-akane (madder) dye on woven silk crepe. Slightly warmer than Edomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#855bc7
Original
#2f71cb
Protanopia
#3d70c4
Deuteranopia
#777088
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.32:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##855BC7
Display P3
Display P3
color(display-p3 0.4972 0.3639 0.7558)
P3 has subtle headroomOKLCH chroma 0.163

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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