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Stalwart Tower Crimson

#840455
Notes

Stalwart Tower Crimson (#840455) is a deep magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (322°, 94%, 27%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#840455
RGB
rgb(132, 4, 85)
HSL
hsl(322, 94%, 27%)
HWB
hwb(322 2% 48%)
OKLCH
oklch(40.6% 0.166 350.4)
P3
color(display-p3 0.4731 0.0920 0.3259)
HSV
hsv(322, 97%, 52%)
LAB
lab(28.51% 53.27 -10.68)
LCH
lch(28.51% 54.33 348.66)
CMYK
cmyk(0%, 97%, 36%, 48%)

Etymology

Stalwart
adjective

Old English stǣl-wyrðe, stable-and-worthy. As a color modifier, stalwart implies a saturated-and-loyal-and-firm quality where the hue carries the dependable-and-trustworthy visual presence of a Knight-Templar guard. Sits at the bold-and-firm end of the grid, parallel to steadfast and firm in usage.

Tower
modifier

Latin turris, tower. As a color modifier, tower implies a tall-fortified-or-cathedral-tower quality, the visual register of Tower-of-London-and-Italian-bell-tower hand-built tall-fortified-or-bell-tower medieval-and-Renaissance-tower architectural surfaces under medieval-and-Renaissance tower-and-belfry monumental light. Sits at the modifier-and-architecture end of the grid, parallel to turret and keep in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#840455
Original
#243657
Protanopia
#484b52
Deuteranopia
#8f0030
Tritanopia
#252525
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##840455
Display P3
Display P3
color(display-p3 0.4731 0.0920 0.3259)
P3 has subtle headroomOKLCH chroma 0.166

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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