Tidy Flare Verdigris

Old English tidig, timely — drifted in modern English to mean neat, orderly. Used as a color modifier for hues that read as composed and unfussy. Tidy beige, tidy gray: moderate saturation combined with optical neatness. Sits at the crisp-bucket alongside plain and modest.

Origin obscure, attested c. 1540, to-burn-with-an-unsteady-flame. As a color modifier, flare implies a sudden-and-spreading-and-bright-burst quality, the visual register of signal-flare-and-solar-flare hand-sudden-and-spreading-and-bright-burst signal-flare-and-solar-flare-and-magnesium-distress flared-and-sudden-and-spreading-and-bright surfaces under signal-flare-and-solar-flare-and-magnesium-distress shipboard-and-rescue-and-corona high-intensity-light. Sits at the modifier-and-mood end of the grid, parallel to blaze and flash in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.