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Antiseptic Unda Sky

#7fc8df
Notes

Antiseptic Unda Sky (#7FC8DF) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (194°, 60%, 69%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7fc8df
RGB
rgb(127, 200, 223)
HSL
hsl(194, 60%, 69%)
HWB
hwb(194 50% 13%)
OKLCH
oklch(79.3% 0.080 219.9)
P3
color(display-p3 0.5630 0.7769 0.8636)
HSV
hsv(194, 43%, 87%)
LAB
lab(76.77% -16.85 -18.57)
LCH
lch(76.77% 25.07 227.77)
CMYK
cmyk(43%, 10%, 0%, 13%)

Etymology

Antiseptic
adjective

Greek anti- (against) plus sēptikós (putrefying) — adjectival suffix -ic. As a color modifier, antiseptic implies a clear-and-disinfected-and-clinical quality, the crisp color of medical-laboratory and operating-theater hand-scrub-and-sanitizer surfaces. Sits at the crisp-and-clean end of the grid, parallel to sterile and sanitary in usage.

Unda
modifier

Latin unda, wave-or-water. As a color modifier, unda implies a Latin-wave-and-water-and-Roman-aqueduct quality, the visual register of Roman-aqueduct-and-Pontine-marsh-unda hand-Latin-wave-and-water-and-Roman-aqueduct Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow unda-and-Latin-wave-and-water surfaces under Roman-aqueduct-and-Pontine-marsh-unda-and-Tiber-flow Aqua-Claudia-and-Aqua-Marcia Roman-water-light. Sits at the modifier-and-Latin end of the grid, parallel to via and arbor in usage.

Sky
noun

The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7fc8df
Original
#bac4e0
Protanopia
#abb9df
Deuteranopia
#55d0cf
Tritanopia
#bababa
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.87:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7FC8DF
Display P3
Display P3
color(display-p3 0.5630 0.7769 0.8636)
Inside sRGBOKLCH chroma 0.080

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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