Printed Atrium Verdigris

Latin premere, to press — past-participle of print. As a color modifier, printed implies a clear-and-impressed-and-multiplied quality, the crisp color of Marimekko-and-Liberty-of-London hand-or-machine-printed textile-and-paper pattern-design. Sits at the crisp-and-printed end of the grid, parallel to stamped and etched in usage.

Latin atrium, Roman-house-courtyard. As a color modifier, atrium implies a Roman-and-modern-courtyard-with-skylight quality, the visual register of Roman-Pompeii-and-modern-Mid-Century-Modern-atrium hand-built central-courtyard-with-skylight atrium-and-impluvium-and-courtyard architectural surfaces under Roman-and-Mid-Century-Modern atrium-skylight light. Sits at the modifier-and-architecture end of the grid, parallel to loggia and quad in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.