colors
Back to gallery

Refreshing Sanded Moss

#7ea260
Notes

Refreshing Sanded Moss (#7EA260) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (93°, 26%, 51%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7ea260
RGB
rgb(126, 162, 96)
HSL
hsl(93, 26%, 51%)
HWB
hwb(93 38% 36%)
OKLCH
oklch(66.9% 0.100 131.9)
P3
color(display-p3 0.5228 0.6312 0.4048)
HSV
hsv(93, 41%, 64%)
LAB
lab(62.61% -24.41 30.38)
LCH
lch(62.61% 38.97 128.78)
CMYK
cmyk(22%, 0%, 41%, 36%)

Etymology

Refreshing
adjective

Old French refreschir, to make fresh again — present-participle of refresh. As a color modifier, refreshing implies a clear-and-cool-and-revitalizing quality, the crisp color of Cornish-coast and Hebridean-island fresh-sea-air-and-cool-water revitalization. Sits at the crisp-and-cool end of the grid, parallel to fresh and bracing in usage.

Sanded
modifier

Old English sandian, to-sand. As a color modifier, sanded implies a hand-sanded-and-smoothed-wood quality, the visual register of Shaker-and-Mid-Century-Modern-sanded hand-sanded-and-smoothed-and-finished wood-and-stone-and-metal Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed surfaces under Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed workshop-light. Sits at the modifier-and-texture end of the grid, parallel to honed and buffed in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7ea260
Original
#a7995b
Protanopia
#a29664
Deuteranopia
#7f9d92
Tritanopia
#969696
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7EA260
Display P3
Display P3
color(display-p3 0.5228 0.6312 0.4048)
P3 has subtle headroomOKLCH chroma 0.100

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas