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Inviting Sanded Moss

#7c9557
Notes

Inviting Sanded Moss (#7C9557) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (84°, 26%, 46%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7c9557
RGB
rgb(124, 149, 87)
HSL
hsl(84, 26%, 46%)
HWB
hwb(84 34% 42%)
OKLCH
oklch(63.5% 0.091 126.8)
P3
color(display-p3 0.5055 0.5814 0.3687)
HSV
hsv(84, 42%, 58%)
LAB
lab(58.48% -19.82 29.86)
LCH
lch(58.48% 35.83 123.57)
CMYK
cmyk(17%, 0%, 42%, 42%)

Etymology

Inviting
adjective

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Sanded
modifier

Old English sandian, to-sand. As a color modifier, sanded implies a hand-sanded-and-smoothed-wood quality, the visual register of Shaker-and-Mid-Century-Modern-sanded hand-sanded-and-smoothed-and-finished wood-and-stone-and-metal Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed surfaces under Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed workshop-light. Sits at the modifier-and-texture end of the grid, parallel to honed and buffed in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7c9557
Original
#9b8e52
Protanopia
#978c5a
Deuteranopia
#7f9086
Tritanopia
#8b8b8b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.29:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7C9557
Display P3
Display P3
color(display-p3 0.5055 0.5814 0.3687)
P3 has subtle headroomOKLCH chroma 0.091

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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