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Settled Lurk Moss

#7ba161
Notes

Settled Lurk Moss (#7BA161) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (96°, 25%, 51%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7ba161
RGB
rgb(123, 161, 97)
HSL
hsl(96, 25%, 51%)
HWB
hwb(96 38% 37%)
OKLCH
oklch(66.5% 0.099 133.5)
P3
color(display-p3 0.5129 0.6271 0.4073)
HSV
hsv(96, 40%, 63%)
LAB
lab(62.14% -24.90 29.20)
LCH
lch(62.14% 38.38 130.46)
CMYK
cmyk(24%, 0%, 40%, 37%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Lurk
modifier

Middle English lurken, to-lie-hidden. As a color modifier, lurk implies a hidden-and-watching-and-shadowed quality, the visual register of forest-edge-and-alley-mouth-lurk hand-hidden-and-watching-and-shadowed forest-edge-and-alley-mouth-and-bridge-undercroft lurked-and-hidden-and-watching-and-shadowed surfaces under forest-edge-and-alley-mouth-and-bridge-undercroft Gothic-novel-and-fairy-tale-and-noir half-light. Sits at the modifier-and-mood end of the grid, parallel to creep and prowl in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7ba161
Original
#a6985c
Protanopia
#a09564
Deuteranopia
#7c9c91
Tritanopia
#949494
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7BA161
Display P3
Display P3
color(display-p3 0.5129 0.6271 0.4073)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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