colors
Back to gallery

Reposeful Aisle Moss

#7b9458
Notes

Reposeful Aisle Moss (#7B9458) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (85°, 25%, 46%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#7b9458
RGB
rgb(123, 148, 88)
HSL
hsl(85, 25%, 46%)
HWB
hwb(85 35% 42%)
OKLCH
oklch(63.2% 0.089 127.2)
P3
color(display-p3 0.5016 0.5775 0.3714)
HSV
hsv(85, 41%, 58%)
LAB
lab(58.13% -19.57 28.85)
LCH
lch(58.13% 34.86 124.14)
CMYK
cmyk(17%, 0%, 41%, 42%)

Etymology

Reposeful
adjective

Latin repōnere, to put back — adjectival suffix -ful. As a color modifier, reposeful implies a clear-and-restful-and-still quality, the calm color of pre-modern monastic cloister-and-refectory meditative-and-silent interior architecture. Sits at the crisp-and-calm end of the grid, parallel to peaceful and placid in usage.

Aisle
modifier

Old French aisile, side-aisle. As a color modifier, aisle implies a side-aisle-flanking-nave quality, the visual register of Romanesque-and-Gothic-cathedral hand-built side-aisle-and-arcade column-and-arch flanking-the-nave architectural surfaces under Gothic-and-Romanesque side-aisle filtered light. Sits at the modifier-and-architecture end of the grid, parallel to nave and apse in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#7b9458
Original
#9a8d54
Protanopia
#968b5b
Deuteranopia
#7e8f85
Tritanopia
#8a8a8a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##7B9458
Display P3
Display P3
color(display-p3 0.5016 0.5775 0.3714)
P3 has subtle headroomOKLCH chroma 0.089

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas