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Reposeful Aztec Moss

#76984c
Notes

Reposeful Aztec Moss (#76984C) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (87°, 33%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#76984c
RGB
rgb(118, 152, 76)
HSL
hsl(87, 33%, 45%)
HWB
hwb(87 30% 40%)
OKLCH
oklch(63.6% 0.111 129.0)
P3
color(display-p3 0.4898 0.5923 0.3347)
HSV
hsv(87, 50%, 60%)
LAB
lab(58.82% -25.07 35.96)
LCH
lch(58.82% 43.83 124.89)
CMYK
cmyk(22%, 0%, 50%, 40%)

Etymology

Reposeful
adjective

Latin repōnere, to put back — adjectival suffix -ful. As a color modifier, reposeful implies a clear-and-restful-and-still quality, the calm color of pre-modern monastic cloister-and-refectory meditative-and-silent interior architecture. Sits at the crisp-and-calm end of the grid, parallel to peaceful and placid in usage.

Aztec
modifier

Nahuatl Aztēcatl, one-from-Aztlán. As a color modifier, aztec implies a Mexica-and-Tenochtitlan-Imperial quality, the visual register of Aztec-Empire-of-Tenochtitlan hand-built basalt-and-obsidian-and-feather-and-codex Aztec-Imperial-and-Mexica-tribute surfaces under high-altitude Tenochtitlan Aztec-Empire central-Mexico mid-altitude light. Sits at the modifier-and-cultural end of the grid, parallel to inca and toltec in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#76984c
Original
#9e8f45
Protanopia
#998d51
Deuteranopia
#799286
Tritanopia
#8b8b8b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.30:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##76984C
Display P3
Display P3
color(display-p3 0.4898 0.5923 0.3347)
P3 has subtle headroomOKLCH chroma 0.111

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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