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Muffled Sumi

#767191
Notes

Muffled Sumi (#767191) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (249°, 13%, 51%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#767191
RGB
rgb(118, 113, 145)
HSL
hsl(249, 13%, 51%)
HWB
hwb(249 44% 43%)
OKLCH
oklch(56.5% 0.049 291.9)
P3
color(display-p3 0.4593 0.4438 0.5591)
HSV
hsv(249, 22%, 57%)
LAB
lab(49.14% 8.93 -16.71)
LCH
lch(49.14% 18.94 298.12)
CMYK
cmyk(19%, 22%, 0%, 43%)

Etymology

Muffled
adjective

Old French moufle, mitten / muff — past-participle of muffle. As a color modifier, muffled implies a hushed-and-sound-dampened-and-quieted quality where the hue carries the visual register of fabric-wrapped-and-quieted ambient-environment color. Sits at the hushed-and-soft end of the grid, parallel to dampened and softened in usage.

Sumi
noun

Japanese ink stick, made from soot of pine resin or sesame oil mixed with animal-glue binder, used in sumi-e brush painting and shodō calligraphy. Although nominally black, undiluted sumi on rice paper carries a deep blue-violet undertone. Sumi color refers to a heavily-loaded sumi brushstroke: a saturated, slightly cool deep blue-violet with the matte finish of pine-soot ink on absorbent washi.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#767191
Original
#6a7592
Protanopia
#6a7490
Deuteranopia
#71767c
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.62:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##767191
Display P3
Display P3
color(display-p3 0.4593 0.4438 0.5591)
Inside sRGBOKLCH chroma 0.049

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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