Aligned Wharf Sky
Aligned Wharf Sky (#74C9F8) is a soft azure with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (201°, 90%, 71%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
French à-ligne, to-line-up — past-participle of align. As a color modifier, aligned implies a clear-and-axis-coordinated quality where the hue carries the visual register of carefully-parallel-arranged elements. Sits at the crisp-and-balanced end of the grid, parallel to symmetrical and squared in usage.
Old English hwearf, embankment. As a color modifier, wharf implies a tidal-loading-edge quality, the visual register of Liverpool-and-Bristol-Wharf Industrial-Revolution stone-and-timber-and-iron tidal-loading-and-cargo-handling surfaces under Industrial-Revolution Liverpool-and-Bristol harbor working-day light. Sits at the modifier-and-place end of the grid, parallel to quay and dock in usage.
The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.