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Aligned Pluto Verdigris

#74ba9a
Notes

Aligned Pluto Verdigris (#74BA9A) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (153°, 34%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#74ba9a
RGB
rgb(116, 186, 154)
HSL
hsl(153, 34%, 59%)
HWB
hwb(153 45% 27%)
OKLCH
oklch(73.3% 0.085 163.6)
P3
color(display-p3 0.5177 0.7224 0.6120)
HSV
hsv(153, 38%, 73%)
LAB
lab(70.29% -29.28 9.34)
LCH
lch(70.29% 30.73 162.31)
CMYK
cmyk(38%, 0%, 17%, 27%)

Etymology

Aligned
adjective

French à-ligne, to-line-up — past-participle of align. As a color modifier, aligned implies a clear-and-axis-coordinated quality where the hue carries the visual register of carefully-parallel-arranged elements. Sits at the crisp-and-balanced end of the grid, parallel to symmetrical and squared in usage.

Pluto
modifier

Latin Pluto, Roman-god-of-underworld-and-dwarf-planet. As a color modifier, pluto implies a Roman-god-of-underworld-and-Kuiper-belt-dwarf-planet quality, the visual register of Roman-Pluto-and-New-Horizons-flyby hand-Roman-god-of-underworld-and-Kuiper-belt-dwarf-planet Roman-Pluto-and-New-Horizons-flyby-and-Tombaugh-Regio pluto-and-Roman-god-of-underworld surfaces under Roman-Pluto-and-New-Horizons-flyby-and-Tombaugh-Regio 2015-flyby-and-heart-shaped-Tombaugh-Regio dwarf-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to neptune and saturn in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#74ba9a
Original
#b8b198
Protanopia
#aca99c
Deuteranopia
#63bab1
Tritanopia
#a9a9a9
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.27:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.23:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##74BA9A
Display P3
Display P3
color(display-p3 0.5177 0.7224 0.6120)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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