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Ominous Pavlova

#741d61
Notes

Ominous Pavlova (#741D61) is a deep magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (313°, 60%, 28%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#741d61
RGB
rgb(116, 29, 97)
HSL
hsl(313, 60%, 28%)
HWB
hwb(313 11% 55%)
OKLCH
oklch(39.8% 0.143 338.1)
P3
color(display-p3 0.4180 0.1413 0.3699)
HSV
hsv(313, 75%, 45%)
LAB
lab(28.00% 44.82 -19.62)
LCH
lch(28.00% 48.93 336.36)
CMYK
cmyk(0%, 75%, 16%, 55%)

Etymology

Ominous
adjective

Latin ōminōsus, full of foreboding — derived from omen. As a color modifier, ominous implies a deep-and-threatening atmospheric-foreboding quality, the dark cool-gray of Goyaesque storm-laden sky. Sits at the deep-and-threatening end of the grid, parallel to foreboding and menacing in tone.

Pavlova
noun

Australian-and-New-Zealand meringue dessert — named after the Russian ballerina Anna Pavlova (1881–1931), traditionally topped with deep-magenta passionfruit-and-strawberry coulis. Pavlova color refers to a freshly assembled Pavlova with passionfruit-and-strawberry coulis on white meringue: a saturated, slightly cool deep magenta with the matte finish of anthocyanin-rich fruit-coulis on baked egg-white meringue.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#741d61
Original
#213963
Protanopia
#3e475f
Deuteranopia
#7b213c
Tritanopia
#343434
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
10.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##741D61
Display P3
Display P3
color(display-p3 0.4180 0.1413 0.3699)
P3 has subtle headroomOKLCH chroma 0.143

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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