Mended Zànglán
Mended Zànglán (#727A96) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (227°, 15%, 52%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English mendan, to mend — past-participle of mend. As a color modifier, mended implies a hushed-and-repaired-and-restored quality, the hushed color of multi-decade Japanese-boro heavily-mended-and-stitched indigo-cotton-and-hemp work-clothing. Sits at the hushed-and-worn end of the grid, parallel to patched and darned in usage.
Chinese zànglán (藏蓝) — Tibetan blue or storage blue, the saturated deep blue of Tibetan-Buddhist monastery wall paint and Tibetan textile dye. The color refers to a zànglán-painted Lhasa monastery interior: a saturated, slightly cool deep blue with the matte finish of mineral-pigment-on-plaster.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.