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Orderly Vandal Moss

#718f49
Notes

Orderly Vandal Moss (#718F49) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (86°, 32%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#718f49
RGB
rgb(113, 143, 73)
HSL
hsl(86, 32%, 42%)
HWB
hwb(86 29% 44%)
OKLCH
oklch(61.0% 0.103 128.2)
P3
color(display-p3 0.4668 0.5574 0.3197)
HSV
hsv(86, 49%, 56%)
LAB
lab(55.72% -22.89 33.65)
LCH
lch(55.72% 40.70 124.23)
CMYK
cmyk(21%, 0%, 49%, 44%)

Etymology

Orderly
adjective

Latin ōrdō, order — adjectival suffix -ly. As a color modifier, orderly implies a clear-and-arranged-and-organized quality where the hue carries the visual register of carefully-ordered-and-classified placement. Sits at the crisp-and-orderly end of the grid, parallel to methodical and organized in usage.

Vandal
modifier

Latin Vandalus, of-the-Vandals. As a color modifier, vandal implies a Germanic-tribal-migration quality, the visual register of Vandal-Kingdom-of-Carthage late-Roman-period hand-built Germanic-Migration-period kingdom-and-fortification surfaces under late-Roman Vandal-Kingdom-of-Carthage Migration-Period sky. Sits at the modifier-and-cultural end of the grid, parallel to goth and hun in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#718f49
Original
#958743
Protanopia
#91854d
Deuteranopia
#748a7f
Tritanopia
#848484
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.67:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.73:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##718F49
Display P3
Display P3
color(display-p3 0.4668 0.5574 0.3197)
P3 has subtle headroomOKLCH chroma 0.103

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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