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Clear Spica Verdigris

#6fede2
Notes

Clear Spica Verdigris (#6FEDE2) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (175°, 78%, 68%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6fede2
RGB
rgb(111, 237, 226)
HSL
hsl(175, 78%, 68%)
HWB
hwb(175 44% 7%)
OKLCH
oklch(87.2% 0.114 187.6)
P3
color(display-p3 0.5667 0.9183 0.8842)
HSV
hsv(175, 53%, 93%)
LAB
lab(86.72% -37.62 -5.36)
LCH
lch(86.72% 38.00 188.11)
CMYK
cmyk(53%, 0%, 5%, 7%)

Etymology

Clear
adjective

From the Latin clarus, bright, distinct — used as a color modifier since the medieval period for hues without haze or mixing. Clear blue sky, clear green water: the implication is moderate saturation combined with optical clarity. Sits at the crisp-bucket center alongside clean and true.

Spica
modifier

Latin spīca, ear-of-grain. As a color modifier, spica implies a Virgin-and-grain-ear-and-blue-white-star quality, the visual register of Virgo-constellation-and-spring-Spica hand-Virgin-and-grain-ear-and-blue-white-star Virgo-constellation-and-spring-and-Bortle-1-sky spica-and-Virgin-and-grain-ear-and-blue-white-star surfaces under Virgo-constellation-and-spring-and-Bortle-1-sky April-and-May-spring-southern-vista grain-bearing-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to vega and altair in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6fede2
Original
#e2e2e2
Protanopia
#ced3e3
Deuteranopia
#00f2e9
Tritanopia
#d1d1d1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6FEDE2
Display P3
Display P3
color(display-p3 0.5667 0.9183 0.8842)
P3 has subtle headroomOKLCH chroma 0.114

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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