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Clear Opus Moss

#6f975e
Notes

Clear Opus Moss (#6F975E) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (102°, 23%, 48%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6f975e
RGB
rgb(111, 151, 94)
HSL
hsl(102, 23%, 48%)
HWB
hwb(102 37% 41%)
OKLCH
oklch(63.2% 0.093 136.7)
P3
color(display-p3 0.4681 0.5878 0.3916)
HSV
hsv(102, 38%, 59%)
LAB
lab(58.34% -24.82 25.73)
LCH
lch(58.34% 35.75 133.97)
CMYK
cmyk(26%, 0%, 38%, 41%)

Etymology

Clear
adjective

From the Latin clarus, bright, distinct — used as a color modifier since the medieval period for hues without haze or mixing. Clear blue sky, clear green water: the implication is moderate saturation combined with optical clarity. Sits at the crisp-bucket center alongside clean and true.

Opus
modifier

Latin opus, work-or-composition. As a color modifier, opus implies a Latin-work-and-Magnum-Opus-and-Opus-Dei quality, the visual register of Magnum-Opus-and-musical-opus-number hand-Latin-work-and-Magnum-Opus-and-Opus-Dei Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus opus-and-Latin-work surfaces under Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus monastic-scriptorium-and-medieval-cathedral-fabric craft-and-composition-light. Sits at the modifier-and-Latin end of the grid, parallel to magnus and ergo in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6f975e
Original
#9b8f5a
Protanopia
#958b61
Deuteranopia
#6e9389
Tritanopia
#8a8a8a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.26:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6F975E
Display P3
Display P3
color(display-p3 0.4681 0.5878 0.3916)
P3 has subtle headroomOKLCH chroma 0.093

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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