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Printed Knot Moss

#6f904f
Notes

Printed Knot Moss (#6F904F) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (90°, 29%, 44%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6f904f
RGB
rgb(111, 144, 79)
HSL
hsl(90, 29%, 44%)
HWB
hwb(90 31% 44%)
OKLCH
oklch(61.2% 0.099 130.8)
P3
color(display-p3 0.4617 0.5610 0.3391)
HSV
hsv(90, 45%, 56%)
LAB
lab(55.98% -23.44 30.78)
LCH
lch(55.98% 38.69 127.29)
CMYK
cmyk(23%, 0%, 45%, 44%)

Etymology

Printed
adjective

Latin premere, to press — past-participle of print. As a color modifier, printed implies a clear-and-impressed-and-multiplied quality, the crisp color of Marimekko-and-Liberty-of-London hand-or-machine-printed textile-and-paper pattern-design. Sits at the crisp-and-printed end of the grid, parallel to stamped and etched in usage.

Knot
modifier

Old English cnotta, knot. As a color modifier, knot implies a sailor's-rope-knot quality, the visual register of Royal-Navy-and-merchant-marine-knot hand-tied sailor's-rope-and-line bowline-and-figure-eight-and-clove-hitch maritime-rigging surfaces under tall-ship-and-frigate sailor's-knot-and-line working light. Sits at the modifier-and-nautical end of the grid, parallel to sheet and spar in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6f904f
Original
#95884a
Protanopia
#908553
Deuteranopia
#718b80
Tritanopia
#848484
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6F904F
Display P3
Display P3
color(display-p3 0.4617 0.5610 0.3391)
P3 has subtle headroomOKLCH chroma 0.099

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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