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Tucked Inked Lagoon

#6ef2f2
Notes

Tucked Inked Lagoon (#6EF2F2) is a true cyan with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (180°, 84%, 69%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6ef2f2
RGB
rgb(110, 242, 242)
HSL
hsl(180, 84%, 69%)
HWB
hwb(180 43% 5%)
OKLCH
oklch(88.8% 0.116 195.3)
P3
color(display-p3 0.5711 0.9375 0.9431)
HSV
hsv(180, 55%, 95%)
LAB
lab(88.55% -36.03 -11.02)
LCH
lch(88.55% 37.68 197.01)
CMYK
cmyk(55%, 0%, 0%, 5%)

Etymology

Tucked
adjective

Old English tūcian, to torment / pull — past-participle of tuck. As a color modifier, tucked implies a clear-and-fitted-and-arranged quality where the hue carries the visual register of carefully-tucked-and-neatly-fitted shirt-into-trouser dress-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Inked
modifier

Old French enque, ink. As a color modifier, inked implies a hand-inked-line quality, the visual register of medieval-and-Renaissance-inked hand-inked-and-pen-and-ink quill-and-iron-gall-ink hand-inked-and-pen-line surfaces under medieval-and-Renaissance hand-inked-pen-and-quill scriptorium-light. Sits at the modifier-and-texture end of the grid, parallel to limned and carved in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6ef2f2
Original
#e4e8f2
Protanopia
#ced7f3
Deuteranopia
#00f9f2
Tritanopia
#d6d6d6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
15.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6EF2F2
Display P3
Display P3
color(display-p3 0.5711 0.9375 0.9431)
P3 has subtle headroomOKLCH chroma 0.116

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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