Workmanlike Hail Verdigris

Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.

Old English hægl, hail-stones. As a color modifier, hail implies a hail-stone-and-clattering-and-spring-thunderstorm quality, the visual register of prairie-and-summer-thunderhead-hail hand-hail-stone-and-clattering-and-spring-thunderstorm prairie-and-summer-thunderhead-hail-and-Great-Plains hail-and-hail-stone-and-clattering surfaces under prairie-and-summer-thunderhead-hail-and-Great-Plains Tornado-Alley-and-Kansas-Oklahoma-storm-cell prairie-thunderhead-light. Sits at the modifier-and-weather end of the grid, parallel to sleet and flurry in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.