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Organized Sol Moss

#6c9444
Notes

Organized Sol Moss (#6C9444) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (90°, 37%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6c9444
RGB
rgb(108, 148, 68)
HSL
hsl(90, 37%, 42%)
HWB
hwb(90 27% 42%)
OKLCH
oklch(61.9% 0.118 131.1)
P3
color(display-p3 0.4564 0.5760 0.3068)
HSV
hsv(90, 54%, 58%)
LAB
lab(56.87% -27.92 37.51)
LCH
lch(56.87% 46.76 126.66)
CMYK
cmyk(27%, 0%, 54%, 42%)

Etymology

Organized
adjective

Greek órganon, instrument / tool — past-participle of organize. As a color modifier, organized implies a clear-and-coordinated-and-systematic quality where the hue carries the visual register of well-coordinated-and-classified arrangement. Sits at the crisp-and-orderly end of the grid, parallel to orderly and methodical in usage.

Sol
modifier

Latin sol, sun-and-Roman-sun-god. As a color modifier, sol implies a Roman-sun-god-and-stellar-disc quality, the visual register of Roman-Sol-Invictus-and-Apollo-sun hand-Roman-sun-god-and-stellar-disc Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot sol-and-Roman-sun-god-and-stellar-disc surfaces under Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot December-25-and-Helios-and-quadriga noon-stellar-disc-light. Sits at the modifier-and-zodiac end of the grid, parallel to luna and terra in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6c9444
Original
#9a8a3d
Protanopia
#948749
Deuteranopia
#6e8e82
Tritanopia
#868686
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.53:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6C9444
Display P3
Display P3
color(display-p3 0.4564 0.5760 0.3068)
P3 has subtle headroomOKLCH chroma 0.118

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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