Symmetrical Senex Verdigris

Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.

Latin senex, old-man-or-elder. As a color modifier, senex implies a Latin-elder-and-Roman-Senate-elder quality, the visual register of Cicero-Cato-the-Elder-senex hand-Latin-elder-and-Roman-Senate-elder Cicero-Cato-the-Elder-senex-and-De-Senectute senex-and-Latin-elder-and-Roman-Senate-elder surfaces under Cicero-Cato-the-Elder-senex-and-De-Senectute Roman-Senate-and-villa-retreat venerable-elder-light. Sits at the modifier-and-Latin end of the grid, parallel to pater and virtus in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.