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Drawn Edomurasaki

#6b3e6b
Notes

Drawn Edomurasaki (#6B3E6B) is a deep violet with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (300°, 27%, 33%) places it in the muted band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6b3e6b
RGB
rgb(107, 62, 107)
HSL
hsl(300, 27%, 33%)
HWB
hwb(300 24% 58%)
OKLCH
oklch(43.5% 0.090 327.0)
P3
color(display-p3 0.3951 0.2514 0.4098)
HSV
hsv(300, 42%, 42%)
LAB
lab(33.21% 27.35 -18.06)
LCH
lch(33.21% 32.78 326.56)
CMYK
cmyk(0%, 42%, 0%, 58%)

Etymology

Drawn
adjective

Old English dragan, to draw — past-participle of draw. As a color modifier, drawn implies a clear-and-line-and-mark quality, the crisp color of Old-Master-and-Modernist hand-drawn studio-and-life-class observational-drawing graphite-and-charcoal lines. Sits at the crisp-and-incised end of the grid, parallel to etched and drafted in usage.

Edomurasaki
noun

Edo-period purple (江戸紫) — the deep blue-tinted purple popularized by Edo-period (1603–1867) Tokyo townsfolk and kabuki actors, distinguished from the warmer Kyoto kyō-murasaki. Edomurasaki color refers to a kabuki actor's Sukeroku role costume: a saturated, slightly cool deep violet with the silk luster of multi-bath gromwell-root dye on lined silk crepe. Cooler than Kyomurasaki.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6b3e6b
Original
#3a4a6d
Protanopia
#46506a
Deuteranopia
#6e424f
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.31:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6B3E6B
Display P3
Display P3
color(display-p3 0.3951 0.2514 0.4098)
P3 has subtle headroomOKLCH chroma 0.090

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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