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Inscribed Jupiter Moss

#6a9141
Notes

Inscribed Jupiter Moss (#6A9141) is a true lime with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (89°, 38%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6a9141
RGB
rgb(106, 145, 65)
HSL
hsl(89, 38%, 41%)
HWB
hwb(89 25% 43%)
OKLCH
oklch(60.9% 0.118 130.8)
P3
color(display-p3 0.4477 0.5644 0.2956)
HSV
hsv(89, 55%, 57%)
LAB
lab(55.78% -27.57 37.70)
LCH
lch(55.78% 46.70 126.18)
CMYK
cmyk(27%, 0%, 55%, 43%)

Etymology

Inscribed
adjective

Latin īnscrībere, to write upon — past-participle of inscribe. As a color modifier, inscribed implies a clear-and-text-or-pattern-cut quality, the crisp color of Roman-Imperial-period monumental-stone inscription-and-monumental-text incised-relief. Sits at the crisp-and-incised end of the grid, parallel to etched and engraved in usage.

Jupiter
modifier

Latin Iuppiter, Roman-king-of-gods-and-fifth-planet. As a color modifier, jupiter implies a Roman-king-of-gods-and-fifth-planet-and-gas-giant quality, the visual register of Roman-Jupiter-Optimus-Maximus-and-Galileo-moons hand-Roman-king-of-gods-and-fifth-planet-and-gas-giant Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot jupiter-and-Roman-king-of-gods surfaces under Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot Capitoline-Hill-and-Galilean-moon-discovery king-of-planets-light. Sits at the modifier-and-zodiac end of the grid, parallel to venus and saturn in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6a9141
Original
#978839
Protanopia
#918546
Deuteranopia
#6c8b7f
Tritanopia
#838383
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6A9141
Display P3
Display P3
color(display-p3 0.4477 0.5644 0.2956)
P3 has subtle headroomOKLCH chroma 0.118

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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