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Pressed Patina

#679170
Notes

Pressed Patina (#679170) is a true green with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (133°, 17%, 49%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#679170
RGB
rgb(103, 145, 112)
HSL
hsl(133, 17%, 49%)
HWB
hwb(133 40% 43%)
OKLCH
oklch(61.6% 0.068 150.7)
P3
color(display-p3 0.4390 0.5641 0.4496)
HSV
hsv(133, 29%, 57%)
LAB
lab(56.39% -21.52 12.98)
LCH
lch(56.39% 25.13 148.90)
CMYK
cmyk(29%, 0%, 23%, 43%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Patina
noun

The thin corrosion layer that develops on copper, bronze, and other metals over time — sometimes copper carbonate (verdigris), sometimes copper sulfate, depending on environment. The color refers to mature exposed-bronze patina on a public statue: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Drabber than verdigris, cooler than celadon, with the slow-time weight of a surface that records its age.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#679170
Original
#928a6e
Protanopia
#8b8572
Deuteranopia
#619088
Tritanopia
#868686
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.58:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##679170
Display P3
Display P3
color(display-p3 0.4390 0.5641 0.4496)
Inside sRGBOKLCH chroma 0.068

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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