Settled Catnip Verdigris

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Old English catte-nepe, cat-mint-or-catnip. As a color modifier, catnip implies a cat-mint-and-grey-green-cottage-herb quality, the visual register of English-cottage-and-Quaker-herb-garden-catnip hand-cat-mint-and-grey-green-cottage-herb English-cottage-and-Quaker-herb-garden-catnip-and-Tudor-still-room catnip-and-cat-mint surfaces under English-cottage-and-Quaker-herb-garden-catnip-and-Tudor-still-room Sussex-cottage-and-New-England-Quaker-garden cottage-herb-light. Sits at the modifier-and-flavor end of the grid, parallel to hyssop and lovage in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.