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Conquering Empress

#6676e7
Notes

Conquering Empress (#6676E7) is a true blue with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (233°, 73%, 65%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#6676e7
RGB
rgb(102, 118, 231)
HSL
hsl(233, 73%, 65%)
HWB
hwb(233 40% 9%)
OKLCH
oklch(61.0% 0.170 274.2)
P3
color(display-p3 0.4120 0.4608 0.8772)
HSV
hsv(233, 56%, 91%)
LAB
lab(53.55% 26.37 -59.32)
LCH
lch(53.55% 64.92 293.97)
CMYK
cmyk(56%, 49%, 0%, 9%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Empress
noun

Latin imperatrix via Old French empereïs — the female sovereign of an empire, particularly the Empress Theodora of Byzantium (sixth century) whose San Vitale mosaic portrait wore the deep-violet Tyrian purple imperial robes. Empress color refers to Theodora's deep-violet imperial robe in the San Vitale mosaic: a saturated, slightly cool deep blue-violet with the matte finish of murex-and-indigo-overdyed Byzantine silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#6676e7
Original
#3d86eb
Protanopia
#297be5
Deuteranopia
#1a8fa3
Tritanopia
#7b7b7b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.95:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##6676E7
Display P3
Display P3
color(display-p3 0.4120 0.4608 0.8772)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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