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Resonant Apse Violet

#666cc4
Notes

Resonant Apse Violet (#666CC4) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (236°, 44%, 58%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#666cc4
RGB
rgb(102, 108, 196)
HSL
hsl(236, 44%, 58%)
HWB
hwb(236 40% 23%)
OKLCH
oklch(56.8% 0.134 278.3)
P3
color(display-p3 0.4043 0.4228 0.7456)
HSV
hsv(236, 48%, 77%)
LAB
lab(48.93% 21.47 -46.86)
LCH
lch(48.93% 51.54 294.61)
CMYK
cmyk(48%, 45%, 0%, 23%)

Etymology

Resonant
adjective

Latin resonāns, echoing — present-participle of resonate, sharing root with sonance. As a color modifier, resonant implies a saturated-and-deep-vibrating quality where the hue carries low-frequency visual richness. Sits at the bold-and-resonant end of the grid, parallel to sonorous and resounding in usage.

Apse
modifier

Latin absis, vault / arch-recess. As a color modifier, apse implies a semicircular-vaulted-altar-end quality, the visual register of Romanesque-and-Byzantine-cathedral hand-laid mosaic-and-fresco-decorated semicircular altar-end vaulted-apse architectural surfaces under candle-and-incense apse light. Sits at the modifier-and-architecture end of the grid, parallel to nave and aisle in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#666cc4
Original
#4878c7
Protanopia
#4071c2
Deuteranopia
#437f8e
Tritanopia
#717171
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.66:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.51:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##666CC4
Display P3
Display P3
color(display-p3 0.4043 0.4228 0.7456)
P3 has subtle headroomOKLCH chroma 0.134

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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